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Frenchie American house and garden flag

One of the first paintings of the view was F611 Mountainous Landscape Behind Saint Rémy, now in Copenhagen. Van Gogh made a number of sketches for the painting, of which F1547 The Enclosed Wheatfield After a Storm is typical. It is unclear whether the painting was made in his studio or outside. In his June 9 letter describing it, he mentions he had been working outside for a few days. Van Gogh described the Frenchie American house and garden flag second of the two landscapes he mentions he was working on, in a letter to his sister Wil on 16 June 1889. This is F719 Green Wheat Field with Cypress, now in Prague, and the first painting at the asylum he definitely painted en plein air. F1548 Wheatfield, Saint Rémy de Provence, now in New York, is a study for it. Two days later, Vincent wrote Theo that he had painted “a starry sky”.

The Starry Night is the only nocturne in the series of views from his bedroom window. In early June, Vincent wrote to Theo, “This morning I saw the countryside from my window a long time before sunrise with nothing but the morning star, which looked very big”. Researchers have determined that Venus was indeed visible at dawn in Provence in the spring of 1889, and was at that time nearly as bright as possible. So the brightest “star” in the painting, just to the viewer’s right of the cypress tree, is actually Venus. The Moon is stylized, as astronomical records indicate that it actually was waning gibbous at the time Van Gogh painted the picture, and even if the phase of the Moon had been its waning crescent at the time,

Van Gogh’s Moon would not have been astronomically correct. The one pictorial element that was definitely not visible from Van Gogh’s cell is the village, which is based on a sketch F1541v made from a hillside above the village of Saint Rémy. Pickvance thought F1541v was done later, and the steeple more Dutch than Provençal, a conflation of several Van Gogh had painted and drawn in his Nuenen period, and thus the first of his “reminisces of the North” he was to paint and draw early the following year. Hulsker thought a landscape on the reverse F1541r was also a study for the painting.

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